Kellenberger–White
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‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Identity for Middlesbrough Institute of Modern Art
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘That Continuous Thing’ publication for Tate Publishing
‘Being Human’ permanent gallery at the Wellcome Collection
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Alphabet installation for London Design Festival
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Portraying a Nation’ exhibition at Tate Liverpool
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Noguchi’ exhibition at the Barbican Art Gallery
Assemble, ‘Making Room’ for the V&A Dundee
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Identity for Goldsmiths Centre for Contemporary Art
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Identity for Tillingham Wines
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Packaging for Oliver’s Fine Cider and Perry
Wayfinding for V&A
Identity for Spike Island arts centre
Art direction for Really upcycling initiative by Kvadrat textiles
Identity for Middlesbrough Institute of Modern Art
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Wayfinding for Newnham College, Cambridge
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Middlesbrough Institute of Modern Art
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art
Identity and website for Bonner Kunstverein, Germany
‘The Japanese House’ at Barbican Art Gallery
‘Portraying a Nation’ exhibition at Tate Liverpool
Elizabeth Price exhibition at Natural History Museum, Berlin
Identity for Goldsmiths Centre for Contemporary Art
Art direction and editorial design for ‘Elephant’ magazine
Identity and strategy for Charleston