Kellenberger–White
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‘That Continuous Thing’ publication for Tate Publishing
Assemble, ‘Making Room’ for the V&A Dundee
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Identity for Tillingham Wines
‘Being Human’ permanent gallery at the Wellcome Collection
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘Noguchi’ exhibition at the Barbican Art Gallery
Alphabet installation for London Design Festival
Identity for Goldsmiths Centre for Contemporary Art
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Middlesbrough Institute of Modern Art
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity for Middlesbrough Institute of Modern Art
Art direction for Really upcycling initiative by Kvadrat textiles
‘The Japanese House’ at Barbican Art Gallery
Art direction and editorial design for ‘Elephant’ magazine
Identity and website for Bonner Kunstverein, Germany
‘Being Human’ permanent gallery at the Wellcome Collection
‘Portraying a Nation’ exhibition at Tate Liverpool
Wayfinding for Newnham College, Cambridge
Identity for Goldsmiths Centre for Contemporary Art
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity for Middlesbrough Institute of Modern Art
Identity for Middlesbrough Institute of Modern Art
Wayfinding for V&A
Identity and strategy for Charleston
Identity for Spike Island arts centre
Packaging for Oliver’s Fine Cider and Perry
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Cars: Accelerating The Modern World’ exhibition for the V&A