Kellenberger–White
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Identity for Tillingham Wines
Assemble, ‘Making Room’ for the V&A Dundee
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘That Continuous Thing’ publication for Tate Publishing
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Alphabet installation for London Design Festival
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Identity for Middlesbrough Institute of Modern Art
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Identity for Goldsmiths Centre for Contemporary Art
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Being Human’ permanent gallery at the Wellcome Collection
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Identity and website for Bonner Kunstverein, Germany
Identity for Spike Island arts centre
Identity for Middlesbrough Institute of Modern Art
Art direction and editorial design for ‘Elephant’ magazine
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Packaging for Oliver’s Fine Cider and Perry
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Goldsmiths Centre for Contemporary Art
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Art direction for Really upcycling initiative by Kvadrat textiles
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
‘The Japanese House’ at Barbican Art Gallery
Identity for Middlesbrough Institute of Modern Art
Wayfinding for Newnham College, Cambridge
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Portraying a Nation’ exhibition at Tate Liverpool
Wayfinding for V&A