Kellenberger–White
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‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Being Human’ permanent gallery at the Wellcome Collection
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Middlesbrough Institute of Modern Art
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Identity for Goldsmiths Centre for Contemporary Art
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘That Continuous Thing’ publication for Tate Publishing
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Assemble, ‘Making Room’ for the V&A Dundee
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Tillingham Wines
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Alphabet installation for London Design Festival
Identity for Goldsmiths Centre for Contemporary Art
Wayfinding for Newnham College, Cambridge
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity for Middlesbrough Institute of Modern Art
Art direction for Really upcycling initiative by Kvadrat textiles
Art direction and editorial design for ‘Elephant’ magazine
Identity and website for Bonner Kunstverein, Germany
Identity for Middlesbrough Institute of Modern Art
Identity and strategy for Charleston
Packaging for Oliver’s Fine Cider and Perry
Identity for Spike Island arts centre
Dunne & Raby exhibition at Saint-Étienne Design Biennale
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Middlesbrough Institute of Modern Art
‘Cars: Accelerating The Modern World’ exhibition for the V&A
‘Being Human’ permanent gallery at the Wellcome Collection
Elizabeth Price exhibition at Natural History Museum, Berlin
‘The Japanese House’ at Barbican Art Gallery
Wayfinding for V&A