Kellenberger–White
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‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘Being Human’ permanent gallery at the Wellcome Collection
Alphabet installation for London Design Festival
‘Portraying a Nation’ exhibition at Tate Liverpool
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘That Continuous Thing’ publication for Tate Publishing
Assemble, ‘Making Room’ for the V&A Dundee
‘Noguchi’ exhibition at the Barbican Art Gallery
Identity for Middlesbrough Institute of Modern Art
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Identity for Tillingham Wines
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Goldsmiths Centre for Contemporary Art
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art
Identity for Goldsmiths Centre for Contemporary Art
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity for Spike Island arts centre
Art direction and editorial design for ‘Elephant’ magazine
Packaging for Oliver’s Fine Cider and Perry
Identity and website for Bonner Kunstverein, Germany
Wayfinding for Newnham College, Cambridge
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Cars: Accelerating The Modern World’ exhibition for the V&A
‘Being Human’ permanent gallery at the Wellcome Collection
Wayfinding for V&A
Art direction for Really upcycling initiative by Kvadrat textiles
Identity for Middlesbrough Institute of Modern Art
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Middlesbrough Institute of Modern Art
‘The Japanese House’ at Barbican Art Gallery