Kellenberger–White
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Identity for Tillingham Wines
‘Being Human’ permanent gallery at the Wellcome Collection
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Identity for Goldsmiths Centre for Contemporary Art
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Identity for Middlesbrough Institute of Modern Art
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘That Continuous Thing’ publication for Tate Publishing
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Alphabet installation for London Design Festival
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘Portraying a Nation’ exhibition at Tate Liverpool
Assemble, ‘Making Room’ for the V&A Dundee
Identity for Middlesbrough Institute of Modern Art
Wayfinding for Newnham College, Cambridge
‘Portraying a Nation’ exhibition at Tate Liverpool
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Art direction for Really upcycling initiative by Kvadrat textiles
Identity and website for Bonner Kunstverein, Germany
Identity for Middlesbrough Institute of Modern Art
Identity and strategy for Charleston
Wayfinding for V&A
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
‘Being Human’ permanent gallery at the Wellcome Collection
Packaging for Oliver’s Fine Cider and Perry
Identity for Spike Island arts centre
Identity for Goldsmiths Centre for Contemporary Art
Identity for Middlesbrough Institute of Modern Art
Art direction and editorial design for ‘Elephant’ magazine
Dunne & Raby exhibition at Saint-Étienne Design Biennale
‘The Japanese House’ at Barbican Art Gallery