Kellenberger–White
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‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Identity for Goldsmiths Centre for Contemporary Art
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Assemble, ‘Making Room’ for the V&A Dundee
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Noguchi’ exhibition at the Barbican Art Gallery
Identity for Middlesbrough Institute of Modern Art
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Being Human’ permanent gallery at the Wellcome Collection
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘That Continuous Thing’ publication for Tate Publishing
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Alphabet installation for London Design Festival
Identity for Tillingham Wines
Wayfinding for Newnham College, Cambridge
Elizabeth Price exhibition at Natural History Museum, Berlin
Identity for Middlesbrough Institute of Modern Art
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Art direction for Really upcycling initiative by Kvadrat textiles
Packaging for Oliver’s Fine Cider and Perry
Art direction and editorial design for ‘Elephant’ magazine
Identity and website for Bonner Kunstverein, Germany
‘The Japanese House’ at Barbican Art Gallery
‘Being Human’ permanent gallery at the Wellcome Collection
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity for Spike Island arts centre
Wayfinding for V&A
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art
Identity for Goldsmiths Centre for Contemporary Art
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art