Kellenberger–White
Kellenberger–White
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Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Identity for Goldsmiths Centre for Contemporary Art
Alphabet installation for London Design Festival
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Tillingham Wines
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Portraying a Nation’ exhibition at Tate Liverpool
‘That Continuous Thing’ publication for Tate Publishing
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Assemble, ‘Making Room’ for the V&A Dundee
Identity for Middlesbrough Institute of Modern Art
‘Noguchi’ exhibition at the Barbican Art Gallery
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Being Human’ permanent gallery at the Wellcome Collection
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘Portraying a Nation’ exhibition at Tate Liverpool
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Goldsmiths Centre for Contemporary Art
Identity and strategy for Charleston
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity and website for Bonner Kunstverein, Germany
Identity for Middlesbrough Institute of Modern Art
Art direction and editorial design for ‘Elephant’ magazine
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Packaging for Oliver’s Fine Cider and Perry
Identity for Spike Island arts centre
Identity for Middlesbrough Institute of Modern Art
Identity for Middlesbrough Institute of Modern Art
Wayfinding for Newnham College, Cambridge
‘The Japanese House’ at Barbican Art Gallery
Art direction for Really upcycling initiative by Kvadrat textiles
Wayfinding for V&A
‘Cars: Accelerating The Modern World’ exhibition for the V&A