Kellenberger–White
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‘That Continuous Thing’ publication for Tate Publishing
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Assemble, ‘Making Room’ for the V&A Dundee
‘Being Human’ permanent gallery at the Wellcome Collection
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Identity for Middlesbrough Institute of Modern Art
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Noguchi’ exhibition at the Barbican Art Gallery
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘Portraying a Nation’ exhibition at Tate Liverpool
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Identity for Goldsmiths Centre for Contemporary Art
Identity for Tillingham Wines
Alphabet installation for London Design Festival
Wayfinding for Newnham College, Cambridge
‘The Japanese House’ at Barbican Art Gallery
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art
Identity and strategy for Charleston
Packaging for Oliver’s Fine Cider and Perry
Identity for Middlesbrough Institute of Modern Art
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Middlesbrough Institute of Modern Art
Art direction for Really upcycling initiative by Kvadrat textiles
Identity and website for Bonner Kunstverein, Germany
Wayfinding for V&A
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Spike Island arts centre
Identity for Goldsmiths Centre for Contemporary Art
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Elizabeth Price exhibition at Natural History Museum, Berlin