Kellenberger–White
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‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Middlesbrough Institute of Modern Art
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘That Continuous Thing’ publication for Tate Publishing
Assemble, ‘Making Room’ for the V&A Dundee
Identity for Goldsmiths Centre for Contemporary Art
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Being Human’ permanent gallery at the Wellcome Collection
Alphabet installation for London Design Festival
Identity for Tillingham Wines
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Wayfinding for Newnham College, Cambridge
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity for Spike Island arts centre
‘Portraying a Nation’ exhibition at Tate Liverpool
Wayfinding for V&A
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Art direction and editorial design for ‘Elephant’ magazine
Identity for Middlesbrough Institute of Modern Art
Packaging for Oliver’s Fine Cider and Perry
Identity for Middlesbrough Institute of Modern Art
Art direction for Really upcycling initiative by Kvadrat textiles
Identity and strategy for Charleston
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Goldsmiths Centre for Contemporary Art
‘The Japanese House’ at Barbican Art Gallery
Identity and website for Bonner Kunstverein, Germany
Identity for Middlesbrough Institute of Modern Art
‘Cars: Accelerating The Modern World’ exhibition for the V&A