Kellenberger–White
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‘Portraying a Nation’ exhibition at Tate Liverpool
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Alphabet installation for London Design Festival
Identity for Middlesbrough Institute of Modern Art
Identity for Goldsmiths Centre for Contemporary Art
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Tillingham Wines
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘That Continuous Thing’ publication for Tate Publishing
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Being Human’ permanent gallery at the Wellcome Collection
Assemble, ‘Making Room’ for the V&A Dundee
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Noguchi’ exhibition at the Barbican Art Gallery
Identity for Middlesbrough Institute of Modern Art
Packaging for Oliver’s Fine Cider and Perry
Identity and website for Bonner Kunstverein, Germany
Wayfinding for V&A
Identity for Goldsmiths Centre for Contemporary Art
Art direction and editorial design for ‘Elephant’ magazine
Wayfinding for Newnham College, Cambridge
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity for Middlesbrough Institute of Modern Art
Identity for Middlesbrough Institute of Modern Art
Identity and strategy for Charleston
Art direction for Really upcycling initiative by Kvadrat textiles
‘The Japanese House’ at Barbican Art Gallery
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Spike Island arts centre
‘Portraying a Nation’ exhibition at Tate Liverpool
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia