Kellenberger–White
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Identity for Goldsmiths Centre for Contemporary Art
‘Being Human’ permanent gallery at the Wellcome Collection
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Identity for Tillingham Wines
‘Noguchi’ exhibition at the Barbican Art Gallery
Identity for Middlesbrough Institute of Modern Art
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Alphabet installation for London Design Festival
Assemble, ‘Making Room’ for the V&A Dundee
‘That Continuous Thing’ publication for Tate Publishing
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Packaging for Oliver’s Fine Cider and Perry
Elizabeth Price exhibition at Natural History Museum, Berlin
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Wayfinding for V&A
Identity for Goldsmiths Centre for Contemporary Art
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Art direction for Really upcycling initiative by Kvadrat textiles
‘The Japanese House’ at Barbican Art Gallery
‘Being Human’ permanent gallery at the Wellcome Collection
Identity and website for Bonner Kunstverein, Germany
Wayfinding for Newnham College, Cambridge
Identity for Middlesbrough Institute of Modern Art
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Middlesbrough Institute of Modern Art
Identity for Spike Island arts centre