Kellenberger–White
Kellenberger–White
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‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘That Continuous Thing’ publication for Tate Publishing
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Portraying a Nation’ exhibition at Tate Liverpool
Alphabet installation for London Design Festival
Identity for Goldsmiths Centre for Contemporary Art
Identity for Middlesbrough Institute of Modern Art
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Assemble, ‘Making Room’ for the V&A Dundee
Identity for Tillingham Wines
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Middlesbrough Institute of Modern Art
Wayfinding for V&A
Elizabeth Price exhibition at Natural History Museum, Berlin
Identity and website for Bonner Kunstverein, Germany
‘Being Human’ permanent gallery at the Wellcome Collection
‘Portraying a Nation’ exhibition at Tate Liverpool
Art direction for Really upcycling initiative by Kvadrat textiles
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity for Spike Island arts centre
Identity for Middlesbrough Institute of Modern Art
Wayfinding for Newnham College, Cambridge
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art
‘The Japanese House’ at Barbican Art Gallery
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Goldsmiths Centre for Contemporary Art
Packaging for Oliver’s Fine Cider and Perry