Kellenberger–White
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Identity for Tillingham Wines
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Alphabet installation for London Design Festival
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Being Human’ permanent gallery at the Wellcome Collection
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Identity for Goldsmiths Centre for Contemporary Art
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Identity for Middlesbrough Institute of Modern Art
Assemble, ‘Making Room’ for the V&A Dundee
‘That Continuous Thing’ publication for Tate Publishing
Packaging for Oliver’s Fine Cider and Perry
Art direction for Really upcycling initiative by Kvadrat textiles
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity for Goldsmiths Centre for Contemporary Art
Wayfinding for Newnham College, Cambridge
Identity and strategy for Charleston
Wayfinding for V&A
‘Being Human’ permanent gallery at the Wellcome Collection
Identity and website for Bonner Kunstverein, Germany
Art direction and editorial design for ‘Elephant’ magazine
‘The Japanese House’ at Barbican Art Gallery
Identity for Middlesbrough Institute of Modern Art
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity for Spike Island arts centre
Identity for Middlesbrough Institute of Modern Art
Elizabeth Price exhibition at Natural History Museum, Berlin
Identity for Middlesbrough Institute of Modern Art