Kellenberger–White
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‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Goldsmiths Centre for Contemporary Art
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Being Human’ permanent gallery at the Wellcome Collection
Assemble, ‘Making Room’ for the V&A Dundee
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Identity for Middlesbrough Institute of Modern Art
Identity for Tillingham Wines
Alphabet installation for London Design Festival
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Noguchi’ exhibition at the Barbican Art Gallery
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘That Continuous Thing’ publication for Tate Publishing
Identity and website for Bonner Kunstverein, Germany
Identity for Middlesbrough Institute of Modern Art
Wayfinding for Newnham College, Cambridge
Art direction and editorial design for ‘Elephant’ magazine
Elizabeth Price exhibition at Natural History Museum, Berlin
Identity for Spike Island arts centre
Identity for Middlesbrough Institute of Modern Art
‘Being Human’ permanent gallery at the Wellcome Collection
Packaging for Oliver’s Fine Cider and Perry
Dunne & Raby exhibition at Saint-Étienne Design Biennale
‘Portraying a Nation’ exhibition at Tate Liverpool
Art direction for Really upcycling initiative by Kvadrat textiles
‘The Japanese House’ at Barbican Art Gallery
Wayfinding for V&A
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity for Goldsmiths Centre for Contemporary Art