Kellenberger–White
Kellenberger–White
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‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Identity for Tillingham Wines
Alphabet installation for London Design Festival
‘Noguchi’ exhibition at the Barbican Art Gallery
‘That Continuous Thing’ publication for Tate Publishing
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Middlesbrough Institute of Modern Art
‘Being Human’ permanent gallery at the Wellcome Collection
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Assemble, ‘Making Room’ for the V&A Dundee
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Goldsmiths Centre for Contemporary Art
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art
Identity for Goldsmiths Centre for Contemporary Art
Wayfinding for Newnham College, Cambridge
Identity and strategy for Charleston
Packaging for Oliver’s Fine Cider and Perry
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity for Middlesbrough Institute of Modern Art
Elizabeth Price exhibition at Natural History Museum, Berlin
Identity and website for Bonner Kunstverein, Germany
‘The Japanese House’ at Barbican Art Gallery
Art direction for Really upcycling initiative by Kvadrat textiles
Identity for Middlesbrough Institute of Modern Art
Wayfinding for V&A
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Spike Island arts centre
Art direction and editorial design for ‘Elephant’ magazine