Kellenberger–White
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‘Noguchi’ exhibition at the Barbican Art Gallery
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Goldsmiths Centre for Contemporary Art
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Assemble, ‘Making Room’ for the V&A Dundee
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Identity for Tillingham Wines
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘That Continuous Thing’ publication for Tate Publishing
Alphabet installation for London Design Festival
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Identity for Middlesbrough Institute of Modern Art
‘Being Human’ permanent gallery at the Wellcome Collection
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Art direction for Really upcycling initiative by Kvadrat textiles
Identity and website for Bonner Kunstverein, Germany
Wayfinding for Newnham College, Cambridge
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Spike Island arts centre
‘Being Human’ permanent gallery at the Wellcome Collection
Elizabeth Price exhibition at Natural History Museum, Berlin
Identity for Middlesbrough Institute of Modern Art
Wayfinding for V&A
Identity for Middlesbrough Institute of Modern Art
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity for Goldsmiths Centre for Contemporary Art
‘Portraying a Nation’ exhibition at Tate Liverpool
‘The Japanese House’ at Barbican Art Gallery
Art direction and editorial design for ‘Elephant’ magazine
Packaging for Oliver’s Fine Cider and Perry