Kellenberger–White
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‘Being Human’ permanent gallery at the Wellcome Collection
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Identity for Goldsmiths Centre for Contemporary Art
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Alphabet installation for London Design Festival
Identity for Tillingham Wines
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘That Continuous Thing’ publication for Tate Publishing
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Noguchi’ exhibition at the Barbican Art Gallery
Identity for Middlesbrough Institute of Modern Art
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Assemble, ‘Making Room’ for the V&A Dundee
Identity for Middlesbrough Institute of Modern Art
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity for Spike Island arts centre
Identity for Middlesbrough Institute of Modern Art
‘Being Human’ permanent gallery at the Wellcome Collection
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Portraying a Nation’ exhibition at Tate Liverpool
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Wayfinding for V&A
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art
Identity and website for Bonner Kunstverein, Germany
Identity for Goldsmiths Centre for Contemporary Art
Art direction for Really upcycling initiative by Kvadrat textiles
Packaging for Oliver’s Fine Cider and Perry
‘The Japanese House’ at Barbican Art Gallery
Wayfinding for Newnham College, Cambridge
‘Cars: Accelerating The Modern World’ exhibition for the V&A