Kellenberger–White
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Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Middlesbrough Institute of Modern Art
Alphabet installation for London Design Festival
‘That Continuous Thing’ publication for Tate Publishing
Identity for Tillingham Wines
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Goldsmiths Centre for Contemporary Art
Assemble, ‘Making Room’ for the V&A Dundee
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Packaging for Oliver’s Fine Cider and Perry
‘Portraying a Nation’ exhibition at Tate Liverpool
Wayfinding for Newnham College, Cambridge
Identity for Goldsmiths Centre for Contemporary Art
Elizabeth Price exhibition at Natural History Museum, Berlin
Identity for Middlesbrough Institute of Modern Art
‘The Japanese House’ at Barbican Art Gallery
Identity for Middlesbrough Institute of Modern Art
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Art direction for Really upcycling initiative by Kvadrat textiles
Identity and website for Bonner Kunstverein, Germany
Identity for Spike Island arts centre
Dunne & Raby exhibition at Saint-Étienne Design Biennale
‘Being Human’ permanent gallery at the Wellcome Collection
Wayfinding for V&A
Identity and strategy for Charleston
Art direction and editorial design for ‘Elephant’ magazine