Kellenberger–White
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‘Portraying a Nation’ exhibition at Tate Liverpool
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Alphabet installation for London Design Festival
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘Noguchi’ exhibition at the Barbican Art Gallery
‘That Continuous Thing’ publication for Tate Publishing
Identity for Tillingham Wines
Assemble, ‘Making Room’ for the V&A Dundee
‘Being Human’ permanent gallery at the Wellcome Collection
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Identity for Goldsmiths Centre for Contemporary Art
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Identity for Middlesbrough Institute of Modern Art
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Identity for Middlesbrough Institute of Modern Art
Identity for Goldsmiths Centre for Contemporary Art
Identity for Spike Island arts centre
Art direction for Really upcycling initiative by Kvadrat textiles
Identity and website for Bonner Kunstverein, Germany
Wayfinding for V&A
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity and strategy for Charleston
Art direction and editorial design for ‘Elephant’ magazine
Elizabeth Price exhibition at Natural History Museum, Berlin
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
‘The Japanese House’ at Barbican Art Gallery
Identity for Middlesbrough Institute of Modern Art
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Packaging for Oliver’s Fine Cider and Perry
Wayfinding for Newnham College, Cambridge
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Middlesbrough Institute of Modern Art