Kellenberger–White
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‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Identity for Goldsmiths Centre for Contemporary Art
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘Noguchi’ exhibition at the Barbican Art Gallery
Identity for Tillingham Wines
‘That Continuous Thing’ publication for Tate Publishing
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Alphabet installation for London Design Festival
‘Being Human’ permanent gallery at the Wellcome Collection
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Assemble, ‘Making Room’ for the V&A Dundee
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Identity for Middlesbrough Institute of Modern Art
Identity for Goldsmiths Centre for Contemporary Art
Art direction and editorial design for ‘Elephant’ magazine
Wayfinding for Newnham College, Cambridge
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity and website for Bonner Kunstverein, Germany
Elizabeth Price exhibition at Natural History Museum, Berlin
‘The Japanese House’ at Barbican Art Gallery
‘Being Human’ permanent gallery at the Wellcome Collection
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Art direction for Really upcycling initiative by Kvadrat textiles
Packaging for Oliver’s Fine Cider and Perry
Identity for Middlesbrough Institute of Modern Art
Identity for Spike Island arts centre
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art
Wayfinding for V&A
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia