Kellenberger–White
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Alphabet installation for London Design Festival
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Being Human’ permanent gallery at the Wellcome Collection
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Tillingham Wines
Identity for Goldsmiths Centre for Contemporary Art
Identity for Middlesbrough Institute of Modern Art
‘Noguchi’ exhibition at the Barbican Art Gallery
‘That Continuous Thing’ publication for Tate Publishing
‘Portraying a Nation’ exhibition at Tate Liverpool
Assemble, ‘Making Room’ for the V&A Dundee
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity for Goldsmiths Centre for Contemporary Art
Identity for Middlesbrough Institute of Modern Art
Identity and strategy for Charleston
‘Being Human’ permanent gallery at the Wellcome Collection
Packaging for Oliver’s Fine Cider and Perry
Art direction and editorial design for ‘Elephant’ magazine
Identity for Spike Island arts centre
Wayfinding for Newnham College, Cambridge
Wayfinding for V&A
‘The Japanese House’ at Barbican Art Gallery
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity and website for Bonner Kunstverein, Germany
Art direction for Really upcycling initiative by Kvadrat textiles
Identity for Middlesbrough Institute of Modern Art
Elizabeth Price exhibition at Natural History Museum, Berlin
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia