Kellenberger–White
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Identity for Tillingham Wines
Assemble, ‘Making Room’ for the V&A Dundee
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Portraying a Nation’ exhibition at Tate Liverpool
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘That Continuous Thing’ publication for Tate Publishing
‘Being Human’ permanent gallery at the Wellcome Collection
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Alphabet installation for London Design Festival
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Identity for Middlesbrough Institute of Modern Art
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Identity for Goldsmiths Centre for Contemporary Art
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Dunne & Raby exhibition at Saint-Étienne Design Biennale
‘The Japanese House’ at Barbican Art Gallery
Identity and strategy for Charleston
Art direction for Really upcycling initiative by Kvadrat textiles
Identity for Spike Island arts centre
Identity for Goldsmiths Centre for Contemporary Art
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Art direction and editorial design for ‘Elephant’ magazine
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Middlesbrough Institute of Modern Art
Identity for Middlesbrough Institute of Modern Art
Packaging for Oliver’s Fine Cider and Perry
Identity and website for Bonner Kunstverein, Germany
‘Being Human’ permanent gallery at the Wellcome Collection
Wayfinding for V&A
Identity for Middlesbrough Institute of Modern Art
Elizabeth Price exhibition at Natural History Museum, Berlin
Wayfinding for Newnham College, Cambridge