Kellenberger–White
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Identity for Tillingham Wines
‘Being Human’ permanent gallery at the Wellcome Collection
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Portraying a Nation’ exhibition at Tate Liverpool
Assemble, ‘Making Room’ for the V&A Dundee
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘That Continuous Thing’ publication for Tate Publishing
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Identity for Goldsmiths Centre for Contemporary Art
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Alphabet installation for London Design Festival
Identity for Middlesbrough Institute of Modern Art
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Identity for Middlesbrough Institute of Modern Art
Identity for Middlesbrough Institute of Modern Art
‘Being Human’ permanent gallery at the Wellcome Collection
‘The Japanese House’ at Barbican Art Gallery
Identity and website for Bonner Kunstverein, Germany
Art direction for Really upcycling initiative by Kvadrat textiles
Packaging for Oliver’s Fine Cider and Perry
Identity for Spike Island arts centre
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Middlesbrough Institute of Modern Art
Identity and strategy for Charleston
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Goldsmiths Centre for Contemporary Art
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Wayfinding for Newnham College, Cambridge
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Art direction and editorial design for ‘Elephant’ magazine
Wayfinding for V&A