Kellenberger–White
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Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘That Continuous Thing’ publication for Tate Publishing
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Being Human’ permanent gallery at the Wellcome Collection
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Tillingham Wines
Alphabet installation for London Design Festival
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Assemble, ‘Making Room’ for the V&A Dundee
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Goldsmiths Centre for Contemporary Art
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Identity for Middlesbrough Institute of Modern Art
‘Portraying a Nation’ exhibition at Tate Liverpool
‘The Japanese House’ at Barbican Art Gallery
Identity for Middlesbrough Institute of Modern Art
Identity and website for Bonner Kunstverein, Germany
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art
‘Being Human’ permanent gallery at the Wellcome Collection
Elizabeth Price exhibition at Natural History Museum, Berlin
Wayfinding for V&A
Identity for Goldsmiths Centre for Contemporary Art
Wayfinding for Newnham College, Cambridge
Identity for Spike Island arts centre
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Art direction for Really upcycling initiative by Kvadrat textiles
Packaging for Oliver’s Fine Cider and Perry
Dunne & Raby exhibition at Saint-Étienne Design Biennale