Kellenberger–White
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‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Identity for Middlesbrough Institute of Modern Art
Identity for Tillingham Wines
Assemble, ‘Making Room’ for the V&A Dundee
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Being Human’ permanent gallery at the Wellcome Collection
Alphabet installation for London Design Festival
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘That Continuous Thing’ publication for Tate Publishing
Identity for Goldsmiths Centre for Contemporary Art
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Packaging for Oliver’s Fine Cider and Perry
Art direction for Really upcycling initiative by Kvadrat textiles
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art
‘Portraying a Nation’ exhibition at Tate Liverpool
‘The Japanese House’ at Barbican Art Gallery
Identity and strategy for Charleston
Identity and website for Bonner Kunstverein, Germany
Identity for Spike Island arts centre
Elizabeth Price exhibition at Natural History Museum, Berlin
Art direction and editorial design for ‘Elephant’ magazine
Identity for Middlesbrough Institute of Modern Art
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Wayfinding for Newnham College, Cambridge
Identity for Goldsmiths Centre for Contemporary Art
Wayfinding for V&A
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Middlesbrough Institute of Modern Art
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia