Kellenberger–White
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Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Identity for Tillingham Wines
Identity for Middlesbrough Institute of Modern Art
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘That Continuous Thing’ publication for Tate Publishing
‘Noguchi’ exhibition at the Barbican Art Gallery
Alphabet installation for London Design Festival
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Goldsmiths Centre for Contemporary Art
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Being Human’ permanent gallery at the Wellcome Collection
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Assemble, ‘Making Room’ for the V&A Dundee
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Spike Island arts centre
Identity for Middlesbrough Institute of Modern Art
Wayfinding for V&A
Packaging for Oliver’s Fine Cider and Perry
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art
‘Portraying a Nation’ exhibition at Tate Liverpool
Dunne & Raby exhibition at Saint-Étienne Design Biennale
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity and website for Bonner Kunstverein, Germany
‘The Japanese House’ at Barbican Art Gallery
Elizabeth Price exhibition at Natural History Museum, Berlin
Art direction for Really upcycling initiative by Kvadrat textiles
Identity and strategy for Charleston
Identity for Goldsmiths Centre for Contemporary Art
Wayfinding for Newnham College, Cambridge
Identity for Middlesbrough Institute of Modern Art