Kellenberger–White
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‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Identity for Goldsmiths Centre for Contemporary Art
‘Being Human’ permanent gallery at the Wellcome Collection
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Alphabet installation for London Design Festival
‘That Continuous Thing’ publication for Tate Publishing
Assemble, ‘Making Room’ for the V&A Dundee
Identity for Tillingham Wines
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Identity for Middlesbrough Institute of Modern Art
Art direction for Really upcycling initiative by Kvadrat textiles
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Spike Island arts centre
‘Being Human’ permanent gallery at the Wellcome Collection
‘Portraying a Nation’ exhibition at Tate Liverpool
Wayfinding for V&A
Wayfinding for Newnham College, Cambridge
Packaging for Oliver’s Fine Cider and Perry
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity for Goldsmiths Centre for Contemporary Art
Identity and strategy for Charleston
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity for Middlesbrough Institute of Modern Art
Art direction and editorial design for ‘Elephant’ magazine
Elizabeth Price exhibition at Natural History Museum, Berlin
Identity for Middlesbrough Institute of Modern Art
Identity for Middlesbrough Institute of Modern Art
‘The Japanese House’ at Barbican Art Gallery
Identity and website for Bonner Kunstverein, Germany