Kellenberger–White
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‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Identity for Tillingham Wines
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘That Continuous Thing’ publication for Tate Publishing
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Assemble, ‘Making Room’ for the V&A Dundee
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Middlesbrough Institute of Modern Art
Identity for Goldsmiths Centre for Contemporary Art
Alphabet installation for London Design Festival
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Being Human’ permanent gallery at the Wellcome Collection
Wayfinding for Newnham College, Cambridge
Packaging for Oliver’s Fine Cider and Perry
Elizabeth Price exhibition at Natural History Museum, Berlin
Identity for Middlesbrough Institute of Modern Art
Art direction and editorial design for ‘Elephant’ magazine
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity for Middlesbrough Institute of Modern Art
Identity and website for Bonner Kunstverein, Germany
Identity for Goldsmiths Centre for Contemporary Art
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Spike Island arts centre
Art direction for Really upcycling initiative by Kvadrat textiles
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art
‘The Japanese House’ at Barbican Art Gallery
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
‘Being Human’ permanent gallery at the Wellcome Collection
‘Portraying a Nation’ exhibition at Tate Liverpool
Wayfinding for V&A