Kellenberger–White
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‘That Continuous Thing’ publication for Tate Publishing
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Middlesbrough Institute of Modern Art
Assemble, ‘Making Room’ for the V&A Dundee
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Identity for Goldsmiths Centre for Contemporary Art
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Being Human’ permanent gallery at the Wellcome Collection
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Alphabet installation for London Design Festival
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Identity for Tillingham Wines
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Identity for Goldsmiths Centre for Contemporary Art
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Packaging for Oliver’s Fine Cider and Perry
Elizabeth Price exhibition at Natural History Museum, Berlin
Wayfinding for Newnham College, Cambridge
Identity for Spike Island arts centre
Wayfinding for V&A
‘The Japanese House’ at Barbican Art Gallery
‘Being Human’ permanent gallery at the Wellcome Collection
Identity and website for Bonner Kunstverein, Germany
Identity and strategy for Charleston
Art direction for Really upcycling initiative by Kvadrat textiles
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Middlesbrough Institute of Modern Art
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity for Middlesbrough Institute of Modern Art
Identity for Middlesbrough Institute of Modern Art