Kellenberger–White
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‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Identity for Goldsmiths Centre for Contemporary Art
Identity for Middlesbrough Institute of Modern Art
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Alphabet installation for London Design Festival
‘Being Human’ permanent gallery at the Wellcome Collection
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Portraying a Nation’ exhibition at Tate Liverpool
Assemble, ‘Making Room’ for the V&A Dundee
Identity for Tillingham Wines
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Noguchi’ exhibition at the Barbican Art Gallery
‘That Continuous Thing’ publication for Tate Publishing
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Art direction for Really upcycling initiative by Kvadrat textiles
‘The Japanese House’ at Barbican Art Gallery
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity and website for Bonner Kunstverein, Germany
Wayfinding for V&A
Identity for Middlesbrough Institute of Modern Art
‘Being Human’ permanent gallery at the Wellcome Collection
‘Portraying a Nation’ exhibition at Tate Liverpool
Wayfinding for Newnham College, Cambridge
Identity for Middlesbrough Institute of Modern Art
Elizabeth Price exhibition at Natural History Museum, Berlin
Packaging for Oliver’s Fine Cider and Perry
Identity for Middlesbrough Institute of Modern Art
Identity for Goldsmiths Centre for Contemporary Art
Identity for Spike Island arts centre
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity and strategy for Charleston
‘Cars: Accelerating The Modern World’ exhibition for the V&A