Kellenberger–White
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‘That Continuous Thing’ publication for Tate Publishing
‘Being Human’ permanent gallery at the Wellcome Collection
‘Noguchi’ exhibition at the Barbican Art Gallery
Alphabet installation for London Design Festival
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Assemble, ‘Making Room’ for the V&A Dundee
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Middlesbrough Institute of Modern Art
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Identity for Tillingham Wines
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Identity for Goldsmiths Centre for Contemporary Art
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Identity for Middlesbrough Institute of Modern Art
Identity for Goldsmiths Centre for Contemporary Art
Identity and strategy for Charleston
Art direction for Really upcycling initiative by Kvadrat textiles
Art direction and editorial design for ‘Elephant’ magazine
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Being Human’ permanent gallery at the Wellcome Collection
Identity and website for Bonner Kunstverein, Germany
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Wayfinding for Newnham College, Cambridge
Elizabeth Price exhibition at Natural History Museum, Berlin
Identity for Middlesbrough Institute of Modern Art
Identity for Spike Island arts centre
Wayfinding for V&A
‘The Japanese House’ at Barbican Art Gallery
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Packaging for Oliver’s Fine Cider and Perry
Identity for Middlesbrough Institute of Modern Art