Kellenberger–White
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‘That Continuous Thing’ publication for Tate Publishing
Alphabet installation for London Design Festival
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Being Human’ permanent gallery at the Wellcome Collection
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Goldsmiths Centre for Contemporary Art
Assemble, ‘Making Room’ for the V&A Dundee
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Identity for Middlesbrough Institute of Modern Art
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Identity for Tillingham Wines
Identity for Middlesbrough Institute of Modern Art
Identity for Goldsmiths Centre for Contemporary Art
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Wayfinding for V&A
‘Being Human’ permanent gallery at the Wellcome Collection
Wayfinding for Newnham College, Cambridge
Identity for Middlesbrough Institute of Modern Art
Identity for Spike Island arts centre
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art
Identity and website for Bonner Kunstverein, Germany
‘Portraying a Nation’ exhibition at Tate Liverpool
Packaging for Oliver’s Fine Cider and Perry
Identity and strategy for Charleston
Elizabeth Price exhibition at Natural History Museum, Berlin
Art direction and editorial design for ‘Elephant’ magazine
‘The Japanese House’ at Barbican Art Gallery
Art direction for Really upcycling initiative by Kvadrat textiles