Kellenberger–White
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Assemble, ‘Making Room’ for the V&A Dundee
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Identity for Middlesbrough Institute of Modern Art
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Identity for Tillingham Wines
‘Portraying a Nation’ exhibition at Tate Liverpool
Alphabet installation for London Design Festival
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘That Continuous Thing’ publication for Tate Publishing
Identity for Goldsmiths Centre for Contemporary Art
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Middlesbrough Institute of Modern Art
‘Cars: Accelerating The Modern World’ exhibition for the V&A
‘Being Human’ permanent gallery at the Wellcome Collection
Art direction and editorial design for ‘Elephant’ magazine
Identity for Spike Island arts centre
Identity and website for Bonner Kunstverein, Germany
Identity for Middlesbrough Institute of Modern Art
Wayfinding for V&A
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Packaging for Oliver’s Fine Cider and Perry
Art direction for Really upcycling initiative by Kvadrat textiles
Identity for Middlesbrough Institute of Modern Art
Identity for Goldsmiths Centre for Contemporary Art
‘The Japanese House’ at Barbican Art Gallery
Identity and strategy for Charleston
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Portraying a Nation’ exhibition at Tate Liverpool
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Wayfinding for Newnham College, Cambridge