Kellenberger–White
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Identity for Goldsmiths Centre for Contemporary Art
‘That Continuous Thing’ publication for Tate Publishing
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Noguchi’ exhibition at the Barbican Art Gallery
Identity for Tillingham Wines
Alphabet installation for London Design Festival
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Assemble, ‘Making Room’ for the V&A Dundee
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Identity for Middlesbrough Institute of Modern Art
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘Portraying a Nation’ exhibition at Tate Liverpool
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Being Human’ permanent gallery at the Wellcome Collection
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Elizabeth Price exhibition at Natural History Museum, Berlin
Wayfinding for Newnham College, Cambridge
Identity and strategy for Charleston
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
‘Portraying a Nation’ exhibition at Tate Liverpool
Art direction and editorial design for ‘Elephant’ magazine
Identity for Spike Island arts centre
Identity for Middlesbrough Institute of Modern Art
Art direction for Really upcycling initiative by Kvadrat textiles
Identity for Goldsmiths Centre for Contemporary Art
Identity for Middlesbrough Institute of Modern Art
‘Cars: Accelerating The Modern World’ exhibition for the V&A
‘The Japanese House’ at Barbican Art Gallery
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Middlesbrough Institute of Modern Art
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Packaging for Oliver’s Fine Cider and Perry
Wayfinding for V&A
Identity and website for Bonner Kunstverein, Germany