Kellenberger–White
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Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Being Human’ permanent gallery at the Wellcome Collection
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Identity for Middlesbrough Institute of Modern Art
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Tillingham Wines
Assemble, ‘Making Room’ for the V&A Dundee
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Identity for Goldsmiths Centre for Contemporary Art
Alphabet installation for London Design Festival
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘That Continuous Thing’ publication for Tate Publishing
Identity for Goldsmiths Centre for Contemporary Art
Identity and website for Bonner Kunstverein, Germany
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Art direction and editorial design for ‘Elephant’ magazine
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Packaging for Oliver’s Fine Cider and Perry
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art
Art direction for Really upcycling initiative by Kvadrat textiles
Identity for Middlesbrough Institute of Modern Art
‘Being Human’ permanent gallery at the Wellcome Collection
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Middlesbrough Institute of Modern Art
Wayfinding for V&A
‘The Japanese House’ at Barbican Art Gallery
Identity for Spike Island arts centre
Wayfinding for Newnham College, Cambridge
Identity and strategy for Charleston