Kellenberger–White
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Identity for Middlesbrough Institute of Modern Art
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Assemble, ‘Making Room’ for the V&A Dundee
Identity for Goldsmiths Centre for Contemporary Art
‘Being Human’ permanent gallery at the Wellcome Collection
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘That Continuous Thing’ publication for Tate Publishing
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Alphabet installation for London Design Festival
Identity for Tillingham Wines
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Noguchi’ exhibition at the Barbican Art Gallery
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Wayfinding for V&A
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity and website for Bonner Kunstverein, Germany
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Wayfinding for Newnham College, Cambridge
Identity for Goldsmiths Centre for Contemporary Art
Identity for Middlesbrough Institute of Modern Art
Identity for Middlesbrough Institute of Modern Art
Art direction and editorial design for ‘Elephant’ magazine
Art direction for Really upcycling initiative by Kvadrat textiles
‘Cars: Accelerating The Modern World’ exhibition for the V&A
‘The Japanese House’ at Barbican Art Gallery
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Spike Island arts centre
Elizabeth Price exhibition at Natural History Museum, Berlin
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Packaging for Oliver’s Fine Cider and Perry
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art