Kellenberger–White
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Identity for Tillingham Wines
Identity for Goldsmiths Centre for Contemporary Art
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Assemble, ‘Making Room’ for the V&A Dundee
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Middlesbrough Institute of Modern Art
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Being Human’ permanent gallery at the Wellcome Collection
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Alphabet installation for London Design Festival
‘That Continuous Thing’ publication for Tate Publishing
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Art direction for Really upcycling initiative by Kvadrat textiles
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity and website for Bonner Kunstverein, Germany
Wayfinding for Newnham College, Cambridge
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Spike Island arts centre
‘Cars: Accelerating The Modern World’ exhibition for the V&A
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity for Middlesbrough Institute of Modern Art
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art
Identity for Middlesbrough Institute of Modern Art
Wayfinding for V&A
‘Being Human’ permanent gallery at the Wellcome Collection
‘The Japanese House’ at Barbican Art Gallery
Identity for Goldsmiths Centre for Contemporary Art
Packaging for Oliver’s Fine Cider and Perry
Elizabeth Price exhibition at Natural History Museum, Berlin