Kellenberger–White
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Identity for Goldsmiths Centre for Contemporary Art
Assemble, ‘Making Room’ for the V&A Dundee
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Identity for Middlesbrough Institute of Modern Art
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘That Continuous Thing’ publication for Tate Publishing
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Identity for Tillingham Wines
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Being Human’ permanent gallery at the Wellcome Collection
Alphabet installation for London Design Festival
Wayfinding for Newnham College, Cambridge
Wayfinding for V&A
Identity and strategy for Charleston
Art direction for Really upcycling initiative by Kvadrat textiles
Identity for Middlesbrough Institute of Modern Art
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Art direction and editorial design for ‘Elephant’ magazine
‘The Japanese House’ at Barbican Art Gallery
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity and website for Bonner Kunstverein, Germany
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Middlesbrough Institute of Modern Art
Identity for Middlesbrough Institute of Modern Art
Packaging for Oliver’s Fine Cider and Perry
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Goldsmiths Centre for Contemporary Art
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity for Spike Island arts centre