Kellenberger–White
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‘Mark Rothko 1968: Clearing Away’ publication for Pace
Assemble, ‘Making Room’ for the V&A Dundee
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Middlesbrough Institute of Modern Art
‘Being Human’ permanent gallery at the Wellcome Collection
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
Alphabet installation for London Design Festival
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Identity for Goldsmiths Centre for Contemporary Art
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Noguchi’ exhibition at the Barbican Art Gallery
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘That Continuous Thing’ publication for Tate Publishing
Identity for Tillingham Wines
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity and strategy for Charleston
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Portraying a Nation’ exhibition at Tate Liverpool
Wayfinding for Newnham College, Cambridge
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art
Identity for Spike Island arts centre
Identity for Middlesbrough Institute of Modern Art
Wayfinding for V&A
Art direction for Really upcycling initiative by Kvadrat textiles
Packaging for Oliver’s Fine Cider and Perry
‘The Japanese House’ at Barbican Art Gallery
Identity and website for Bonner Kunstverein, Germany
‘Being Human’ permanent gallery at the Wellcome Collection
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity for Goldsmiths Centre for Contemporary Art
Identity for Middlesbrough Institute of Modern Art
Art direction and editorial design for ‘Elephant’ magazine