Kellenberger–White
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Identity for Tillingham Wines
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
Alphabet installation for London Design Festival
Identity for Goldsmiths Centre for Contemporary Art
Identity for Middlesbrough Institute of Modern Art
‘That Continuous Thing’ publication for Tate Publishing
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Assemble, ‘Making Room’ for the V&A Dundee
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Being Human’ permanent gallery at the Wellcome Collection
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity for Middlesbrough Institute of Modern Art
Elizabeth Price exhibition at Natural History Museum, Berlin
Packaging for Oliver’s Fine Cider and Perry
Art direction and editorial design for ‘Elephant’ magazine
Wayfinding for Newnham College, Cambridge
‘Being Human’ permanent gallery at the Wellcome Collection
Art direction for Really upcycling initiative by Kvadrat textiles
Identity for Middlesbrough Institute of Modern Art
‘The Japanese House’ at Barbican Art Gallery
Identity and website for Bonner Kunstverein, Germany
‘Cars: Accelerating The Modern World’ exhibition for the V&A
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Spike Island arts centre
Identity and strategy for Charleston
Identity for Middlesbrough Institute of Modern Art
Identity for Goldsmiths Centre for Contemporary Art
Wayfinding for V&A