Kellenberger–White
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‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘That Continuous Thing’ publication for Tate Publishing
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Goldsmiths Centre for Contemporary Art
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Middlesbrough Institute of Modern Art
Identity for Tillingham Wines
Assemble, ‘Making Room’ for the V&A Dundee
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Noguchi’ exhibition at the Barbican Art Gallery
Alphabet installation for London Design Festival
Dunne & Raby exhibition at Saint-Étienne Design Biennale
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity for Middlesbrough Institute of Modern Art
Wayfinding for Newnham College, Cambridge
Wayfinding for V&A
‘Being Human’ permanent gallery at the Wellcome Collection
‘The Japanese House’ at Barbican Art Gallery
Identity for Goldsmiths Centre for Contemporary Art
Identity and website for Bonner Kunstverein, Germany
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Identity for Middlesbrough Institute of Modern Art
Identity for Middlesbrough Institute of Modern Art
Packaging for Oliver’s Fine Cider and Perry
Identity and strategy for Charleston
Art direction for Really upcycling initiative by Kvadrat textiles
Elizabeth Price exhibition at Natural History Museum, Berlin
Identity for Spike Island arts centre