Kellenberger–White
Kellenberger–White
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‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘Mark Rothko 1968: Clearing Away’ publication for Pace
Identity for Tillingham Wines
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Being Human’ permanent gallery at the Wellcome Collection
Alphabet installation for London Design Festival
Assemble, ‘Making Room’ for the V&A Dundee
Identity for Middlesbrough Institute of Modern Art
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘That Continuous Thing’ publication for Tate Publishing
‘Noguchi’ exhibition at the Barbican Art Gallery
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Goldsmiths Centre for Contemporary Art
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Middlesbrough Institute of Modern Art
Identity and website for Bonner Kunstverein, Germany
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Art direction and editorial design for ‘Elephant’ magazine
Identity for Spike Island arts centre
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity for Goldsmiths Centre for Contemporary Art
Art direction for Really upcycling initiative by Kvadrat textiles
Identity for Middlesbrough Institute of Modern Art
Elizabeth Price exhibition at Natural History Museum, Berlin
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Packaging for Oliver’s Fine Cider and Perry
Identity and strategy for Charleston
‘Being Human’ permanent gallery at the Wellcome Collection
Wayfinding for Newnham College, Cambridge
‘The Japanese House’ at Barbican Art Gallery
Identity for Middlesbrough Institute of Modern Art
Wayfinding for V&A